The term “camelback” is as familiar to New Orleanians as red beans and rice. This architectural vernacular, resembling a silhouette of a camel, is an addition on the back of a home that allows the street facing façade to maintain its historic massing and scale, and it’s a solution popular in our historic neighborhoods.
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How Well Do You Know Your Insulation?
Insulation is the most important home design feature you’ll never see. The right choices will make sure your house is comfortable, your energy bills are low and your water-sensitive materials are protected from moisture. There is an ever-expanding buffet of types of insulation and everyone has their own names and opinions about each. Here’s a primer on what is what, and what goes where:
Fiberglass Batts
The fluffy pink stuff you are probably familiar with, which remains the low-cost go-to for basic thermal comfort. Found in stretch-wrapped plastic packaging often featuring the Pink Panther, fiberglass batt insulation comes in rolls designed to shove or lay into the space between your studs or joists. Some come with a paper backing with flaps to staple to the stud for support. The paper backing was once touted as a vapor retarding feature, however, lots of ambiguity with what that means along with geographic uncertainty as to which side of the wall should have vapor retarding properties to avoid condensation issues. In reality, it didn't do much either way as a barrier, but if you can, get the unfaced stuff in New Orleans.
Mineral Wool Batts
Like fiberglass, these come in rolls designed to stuff between the studs. Unlike fiberglass, it doesn't burn, it provides additional thermal resistance (R-value) per inch and has superior acoustic properties for a slight upcharge in price. Rockwool (formerly Roxul) was first to introduce this product into the market, but most of the fiberglass manufacturers offer a similar option.
Rigid Insulation Board
Foam panels, which generally come in three flavors:
white puffy compressed globes (EPS)
bright color - pink or blue - board (XPS), and
the creamy colored board with the foil-facing. (Polyiso)
They all have slightly different properties but the main thing is that they are all meant to be attached OUTSIDE your main structural enclosure. The bonus of this is they run uninterrupted by studs and pipes and outlets and all the other stuff you have in your wall that is NOT insulation. You can also walk on some of them making them good choices for flat roofs. They are generally associated with commercial construction, though that is starting to change. They are a great choice for building new, since a new building can be designed around a completely different insulation concept. You may encounter raised costs due to them being a less familiar install for some homebuilders and laborers. For existing houses, unless you're ripping the entire thing down to its skeleton, they are tough to justify, unless you’re looking for floor insulation under a raised structure.
Blown-in
The piles of fluff with no real structure, great for retrofits because, being made out of tiny pieces, they can be used to fill up any size space from a relatively small insertion points. Piles of this stuff usually sits above ceilings but can fill in wall cavities, and there are even netted products that allow it to hug sloping roof rafters. You can make your fluffy stuff out of lots of things: fiberglass, mineral wool, old newspaper and blue jeans.
Spray Foam
Polyurethane spray foam is an increasingly popular choice for both new construction and retrofits because in addition to providing resistance to heat transfer, it also acts as an air seal. Where batts and blown-in allow air in and around their voids and installation gaps, which get worse over time due to sagging and settling, spray foam stays put, and doesn't allow any air at all to trespass through its depth which helps a lot with the interior air temperature. Also its thermal resistance per inch is at worst on par with batts and can be many times higher, depending on the product, which comes in two flavors, both of which are a bit environmentally dubious in terms of nasty chemicals involved:
Open cell - this type is cheaper, about as effective or slightly better per inch as batts at resisting heat transfer, and is impermeable to air.
Closed cell - more expensive, but has added bonuses: much more resistive to heat per inch, which makes it good for tight spaces like cathedral ceilings, impenetrable by moisture of any kind, and it strength when dry actually adds to the building's strength.
If you're looking to be cutting edge, you'll of course pay a premium, but there are options beyond the more commonly available methods listed above. Wood studs have been developed that actually have foam in the center, like an ice cream sandwich, that removes the problem of wood studs conducting heat past your insulation layer. There is even a rigid product that is actually made of mushrooms engineered to grow into a foam-like material that has great insulating properties.
There's many options in the fight to achieve thermal comfort while reducing our energy use, and it's important to know what's best for your particular situation as early as possible so that your project feels as good as it looks.
Farm the Neighborhood You Want To See
Why should this excite New Orleanians? All we have is a big ol' historic super-grid with an immense array and variety of lot sizes plugged into a series of big ol' amenity centers pumping value into areas blanketed with some of the most amenable urban zoning in the country. Your Sharpie will run out of ink checking all the boxes.
Read MoreWhat's the Big Deal with the Bid Phase?
The bidding phase, also know as the procurement phase, is sometimes forgotten as one of the most important phases in your project process. While the drawings will illustrate the scope of work. The bidding phase will help establish terms and conditions for the scope of work. This phase is necessary to help mitigate head butting down the road when conflict arises.
Read MoreOur Design Process: Historic Residential Addition
With our busiest time of year quickly approaching, I've had many friends ask about our services and our design process. I thought that now would be a great time to share our process work for a residential addition we are currently working on in a historic district in South Louisiana.
With a "wish-list" and a budget, we can begin planning your project. We know that budgets are made for a reason but a small upfront investment in thought and planning can pay for itself several times over by increasing final value of a property and finding problems before contractors are mobilized and products are ordered. As architects, we can streamline this process and know the tricks to maximize your return down the road. The following images and paragraphs below describe our planning process for this particular project.
The 2,800 square foot home was built in 1920 as a craftsman bungalow style home. Around 1980, its previous owners renovated the home and changed the character of the home with traditional Creole cottage detailing. The current owners want an addition that is both respectful to the historic neighborhood, and the current Creole cottage architectural style. Their wish list consisted of a master suite and art studio on the first floor and a bedroom and bathroom on the second floor.
Step 1: After spending some time measuring the property inside and out, we began by creating schematic massing studies and developing plan options. We spend time measuring and modeling the existing building to make sure the scale and proportions of our design for the addition are right on.
As you may expect, a home addition can take various forms and shapes. In the examples below, we have narrowed down our studies to three options showing different architectural languages and statements. These were presented to our clients not as final product but just to steer our work in a direction that both of us will ultimately be happy with.
Step 2: The second round of design work requires more refinement. In this study, we wanted to present two strong design alternatives to develop. This first option we developed was the integrated option; we called it the "Cascading Creole" because the roof line cascades from main building down to the secondary buildings, borrowing strong references to traditional creole architecture. The second option developed was called the Farmhouse Wing because of its large form, more equal to the original structure in size, and because of its wrap-around porch and geometry referencing a rural farmhouse.
Step 3: During the Design Development phase, we lock in the plan that translate to the massing model. There are a ton of decisions that get made by the architect during design, for example with this house in particular, we were challenged by a low pitch of the existing roof line that we needed to tie into to increase the living space in the built-out attic. We check in with our clients to help us make decisions because at the end of the day, they need to be 100% happy with the design of the home.
The next phase of our services requires a little less attention from our clients. Once the design is more or less locked in, we can start detailing the home with all the little things that reinforce the design we end up with, and making sure the final product falls in line with any beautiful drawings we've produced!